JVC ProHD GY-HM100 and GY-HM700 Final Cut Pro-Ready Camcorders
by Sze | Filed under Camera and Camcorder
JVC adds the GY-HM100 and GY-HM700 camcorder to its ProHD lineup. These two professional solid state camcorders are the industry’s first to store files in the native Quicktime format for Apple’s Final Cut Pro onto reliable and inexpensive SDHC media cards.
JVC’s ProHD GY-HM100 and GY-HM700 both feature the Enhanced MPEG2 Long GOP Encoder that supports full 1920 x 1080 encoding in the HQ mode. The JVC ProHD GY-HM100 features a Fujinon 10:1 Zoom HD Lens, Optical image stabilization, color viewfiner and a LCD display. More details of the GY-HM700 will be announced later.
JVC ProHD GY-HM100 will be shipped in April 2009 for a price under $4000 while the GY-HM700 is scheduled for delivery in March 2009.
Press Release
VC introduces New Final-Cut-Pro 6™-Ready Solid State Camcorders
Next Generation ProHD Camcorders Natively Record Quicktime for Apple’s Final Cut Pro Directly to SDHC Memory Cards
Wayne, NJ (January 8, 2009) — Victor Company of Japan, Ltd. (JVC) further expands its ProHD camcorder line-up by introducing two professional solid state camcorders, the industry’s first to store files in the native Quicktime format for Apple’s Final Cut Pro™ onto reliable and inexpensive SDHC media cards.
The compact hand-held GY-HM100Â 3-CCD camcorder is introduced in January 2009, while the compact shoulder GY-HM700 is scheduled for introduction in February 2009. Both camcorders record 35Mbps high definition video and uncompressed audio directly to inexpensive SDHC media cards in the native Quicktime format used by Apple Final Cut Pro™.
Product Concept
The growing trend in the professional video market is to record directly from camera to solid state memory, and the current leading solutions have made the workflow quite expensive for most users, relying on proprietary media and file formats. In addition, compatibility with major non-linear editing (NLE) systems requires codec converting or re-wrapping format files, a process that significantly slows down the post production process. Professional users are yearning for a simple, fast solution that allows instant editing of recorded material without file conversion, and a media cost approaching the economy of tape.
To meet this demand, JVC has adopted the Apple QuickTime file format for Final Cut Pro. And, to keep media costs as low as possible, JVC selected the reliable yet inexpensive SDHC media card—one of the most widely-used solid state memory cards on the market today.
“We are pleased to support a seamless experience for professional videographers working with Final Cut Studio 2,” said Hiroyuki Takekura, Managing Director of JVC’s Professional Systems Division. “We expect that pro video users will find huge workflow benefits as this optimized workflow bridges the gap between production and post production tasks.”
“For the first time, Final Cut Pro editors are able to work with a camcorder that records video as native QuickTime files, eliminating the need to transcode or re-wrap prior to editing,” said Rob Schoeben, Apple’s vice president of Applications Product Marketing. “With the combination of JVC’s new camera and Final Cut Studio 2, the industry’s leading video production suite, the promise of file based acquisition can finally be realized.”
GY-HM100 / GY-HM700 Common Features
Industry’s first native support QuickTime file format for Apple’s Final Cut Pro
Both camcorders natively record the file format used by Apple QuickTime for Final Cut Pro. Video clips are dragged directly from the storage media onto the non-linear editor’s timeline, eliminating the need for transcoding that can consume excessive time and disk space while maintaining original first generation image quality.
Enhanced MPEG2 Long GOP Encoder
Drawing from its experience in developing encoders currently used in broadcast applications, JVC developed a proprietary codec capable of providing highly efficient compression up to 35 megabits per second, a bit rate supporting full 1920 x 1080 encoding in the HQ mode. This results in recorded images of extremely high quality. MPEG2 long GOP encoding is the most widely implemented broadcast standard compression and is currently supported by all popular editing systems and broadcast servers. Additionally, both cameras can record 720p (19/35Mbps) and 1080i (25Mbps) in SP mode, assuring compatibility with today’s most popular professional NLE systems.
SDHC Media Card
Both units record on widely available SDHC memory cards, presently available in capacities up to 32GB. The cameras provide 2 memory card slots, for a total of up to 64GB of on board storage—enough for up to 6 hours of continuous HD recording. The cameras automatically begin recording on the second card when the first card is full. Also, unlike other professional solid state media, the per-minute cost of SDHC memory is comparable to professional video tape. Moreover, SDHC media becomes the first practical solid state solution for physical archiving.
GY-HM100 Features
Ultra-Compact 3.0 lb. Handheld Form Factor
The GY-HM100 is the smallest professional format 3-CCD camcorder available at about the size of a lens for a 2/3-inch imager camera. This makes it ideal for applications where a full size camera would be impractical, such as tight quarters and operating in potentially unsafe situations. For a smaller footprint and less conspicuous shooting, the handle can be easily removed and the audio can be recorded via the built-in 2-channel microphone.
Three ¼-inch Progressive CCDs
Three newly developed ¼-inch progressive scan CCDs provide rich, accurate colors. The red and blue pixel locations are spatially off-set relative to green, enabling the sampled luminance information to be significantly increased in both horizontal and vertical directions. This results in higher resolution images compared to prior CCD designs. To separate primary colors, JVC has incorporated a high quality – glass prism and a proprietary mounting technology.
Fujinon 10:1 Zoom HD Lens
The GY-HM100U utilizes a high definition lens by Fujinon, a world leader in HD lens technology. This lens features three aspherical elements. In addition, the lens surface has a new Electronic Beam Coating (EBC) that greatly reduces degradation caused by light reflecting off the lens surfaces, leading to greater light transmission and reduced flaring and ghosting. To protect the lens, a flip-in cover is integrated in the lens hood, eliminating the need for an external cap.
Focus is controlled manually or automatically. A smooth servo zoom is controlled with a conventional rocker on the handgrip, or manually with the lens ring. For close-up shooting, a macro mode allows for shooting subjects as little as 2-inches away from the lens. Exposure (iris) is manually or automatically controlled, allowing the shooter to adjust the depth of focus by selecting the appropriate F stop. In the manual iris mode, the current F stop value is displayed in the viewfinder.
Professional controls and layout
Despite its size, the camera’s hand grip has an ergonomic shape, accommodating hands of all sizes. Control and switches are placed with professional users in mind. To conserve space, a single ring is used for both manual focus and manual zoom. Additional manual controls include white balance, shutter, gain, and audio levels.
Additional GY-HM100 Features
* Newly designed JVC’s original Optical Image Stabilization
* JVC patented Focus Assist
* Color viewfinder and LCD display
* 2-Channel balanced audio inputs, mic/line switchable with built-in phantom power supply
* HDMI output
* USB 2.0 interface
* The GY-HM100 is scheduled for delivery in April 2009, with a list price under $4,000.
Preliminary GY-HM700 Features
1. Compact shoulder form factor of less than 4 kg (8.9 lbs.) in operation
2. High quality 1/3” progressive 3CCD with unique JVC’s H/V spatial offset
3. Newly developed 14x high-quality interchangeable lens by Canon
4. Newly developed high-quality LCOS viewfinder
5. Newly developed large LCD display
6. Double-memory hybrid recording system using optional KA-MR100G SxS memory card recorder
7. HD SDI output, SD down-convert capability over IEEE 1394 interface, USB 2.0 interface
The GY-HM700 is scheduled for delivery in March 2009. More details will be released in February 2009.
[jvc]
Tags: Camcorder, CES 2009, Final Cut Pro ready camcorder, Full HD Camcorder, GY-HM100, GY-HM700, HDD-camcorder, JVC, JVC GY-HM100, JVC GY-HM700, JVC ProHD, JVC ProHD GY-HM100, JVC ProHD GY-HM700, ProHD, ProHD camcorder, ProHD GY-HM100, ProHD GY-HM700
Twitter
We’ve got a GY-HM100 and I’ve got to say I’m really pleased with it. Low light picture obviously isn’t as good as in a well lit situation, but is still very good in my opinion.
I fail to see the worry about SDXC coming along. SDHC cards will still be available and probably even cheaper than they are now once it’s an ‘obsolete’ technology. The only real advantage I can see to SDXC over SDHC at the moment is that the higher transfer rates will offer up the opportunity to add overcranking, which, if the price is right, will seriously upset the apple cart for p2 and SxS as that’s the only real advantage that I can see over SDHC.
Hi,
I’d like to buy four of the JVC ProHD GY-HM700 Professional Camcorder. Where can I find the best prices in the UK?
Many thanks
Musa
You really have your math all wrong. 3 of 1/4 inch combined gives you an area of 3/4 of an inch.. which is bigger than a single area of 1/2 inch.
It’s 2009…Canon’s 5D2 HD low light video performance is shaking the world…
Meanwhile JVC brings out a “Pro” HD camera with 1/4 inch chips…ha, ha, ha…is very funny, yes?
Very good comments CHEEMA…I’ve just tried the JVC HM100 and find that it’s VERY NOISY in low light. Sony HC1 picture was much cleaner!
Good try JVC…but it’s up to Sony to perfect the concept.
Every once in awhile, the industry undergoes a seismic shift. the intro of dv, the ex1 and now for event videographers like myself, to be able to shoot on relatively inexpensive media and to have the ability to edit native hd almost instantly is awesome.
My trusty pd 150’s will be still be there but I shall be looking forward to April
Thanks
JVC
[...] has previously announce some details of this ProHD GY-HM700 compact shoulder camcorder, which is now officially launched. JVC’s new ProHD camcorder [...]
This camcorder looks very nice on paper, but I have two reservations:
1) Sensor size is very small 1/4″ sensor means 9.72 mm2 area per ccd multiplied by 3, so the combined area of the three ccds is approximately 29.16 mm2, when compared to single 1/2″ sensor with approximate area of 30.7 mm2, it turns out to be smaller than 1/2″ single sensor. As we are told this camcorder shoots in native 1080p. The native format will mean more pixels to fit into smaller area. This will mean very small pixels, and ultimately bad low light performance. When we talk about a professional camcorder worth $4000, bad low light performance is not acceptable.
Sony has done lot of research in this area and they have come up with EXMOR R BACKLIGHT SENSOR which is on test this year. Canon is trying to counter this problem by using larger lens and sensor and increasing the processing power, but this approach will produce larger and bulkier camcorders to achieve the same results as achieved by Sony’s camcorders. JVC and Canon and other manufacturer need to come up with some sensor based solution like Sony, otherwise they will need to buy sensors from Sony to make their camcorders.
2) The recording media is sdhc, which is going to be obsolete soon and taken over by sdxc announced this year in CES 2009, JVC must make some changes to ensure that camcorder is compatable with sdxc, otherwise any new camcorder offering sdxc will take over with the release of first sdxc card.
Overall this is good effort by JVC, there is no pro camcorder available with in this size with native 1080p resolution, 35 Mbps bit rate, NTSC/PAL switchable, Quick Time file format, and tons of other pro features. This camcorder will set a new trend and other manufacturers will be forced to come out with similar products. I think era of DV TAPE is over now.
Best of luck JVC.